pam matthews

lichen vase III
£50.00
8.0 x 6.5 cm
sea urchin moon jar II
£60.00
8.0 x 9.0 cm
sea urchin moon jar I
£50.00
7.0 x 8.0 cm
mini sea urchin moon jar
£50.00
7.0 x 8.0 cm
lichen vase V
Sold
14.0 x 9.0 cm
lichen vase IV
Sold
11.0 x 8.0 cm
landscape bowl
Sold
10.0 x 11.0 cm
landscape vase I
Sold
10.5 x 8.0 cm
landscape vase II
Sold
13.5 x 10.5 cm
lichen vase II
Sold
8.0 x 10.0 cm
lichen vase I
Sold
11.0 x 8.0 cm
sea urchin moon jar III
Sold
8.5 x 10.5 cm
seascape bowl ii
Sold
12.0 x 16.0 cm
sea moon jar II
Sold
7.5 x 9.0 cm
urchin moon jar II
Sold
8.0 x 10.0 cm
urchin moon jar I
Sold
9.0 x 11.0 cm
sea moon jar I
Sold
10.0 x 15.0 cm
seascape vessel V
Sold
10.5 x 13.0 cm
sea foam vessel I
Sold
9.0 x 8.0 cm
moon jar II
Sold
8.5 x 11.0 cm
seascape bowl
Sold
13.0 x 16.5 cm
landscape vessel VI
Sold
9.6 x 6.0 cm
landscape vessel IV
Sold
10.0 x 7.5 cm
landscape vessel III
Sold
11.0 x 11.0 cm
landscape vessel II
Sold
11.0 x 9.0 cm
landscape vessel I
Sold
11.0 x 10.5 cm
pam matthews

Pam Matthews is a north of England based ceramicist with a deep affinity for Scotland. Having rediscovered a love for ceramics after a break from working with clay for thirty years,  she takes inspiration from the coastlines of the UK. Each piece is first hand-thrown using a white stoneware clay. Once leather-hard, a range of techniques are used, including sculpting by adding clay and taking away parts of each vessel, creating textures, incisions and horizons suggesting land, sea and sky. After bisque firing, a wide range of oxides are applied: washes, underglazes and glazes in a painterly fashion building up depth of tone, colour and tactile qualities. Each piece is then fired again in an electric kiln. Pam is fascinated with experimenting and exploring the magical effects and alchemy of layering glazes, and how the textures and curvatures of the individual vessel impact on the end results.

pam matthews

Pam Matthews is a north of England based ceramicist with a deep affinity for Scotland. Having rediscovered a love for ceramics after a break from working with clay for thirty years,  she takes inspiration from the coastlines of the UK. Each piece is first hand-thrown using a white stoneware clay. Once leather-hard, a range of techniques are used, including sculpting by adding clay and taking away parts of each vessel, creating textures, incisions and horizons suggesting land, sea and sky. After bisque firing, a wide range of oxides are applied: washes, underglazes and glazes in a painterly fashion building up depth of tone, colour and tactile qualities. Each piece is then fired again in an electric kiln. Pam is fascinated with experimenting and exploring the magical effects and alchemy of layering glazes, and how the textures and curvatures of the individual vessel impact on the end results.