Andrew Sinclair

eilidh
£1,500.00
60.0 x 40.0 cm
engaged
£1,250.00
46.0 x 46.0 cm
girl with fiddle
£1,450.00
62.0 x 49.0 cm
january light over beinn resipol
£3,995.00
80.0 x 120.0 cm
back study
£1,000.00
48.0 x 38.0 cm
old cheese form
£450.00
19.0 x 18.0 cm
the herdsmen
£1,800.00
59.0 x 89.0 cm
open book
£695.00
28.0 x 36.0 cm
still evening
£1,250.00
46.0 x 61.0 cm
beinn resipol
£1,800.00
40.0 x 80.0 cm
and wait...
£2,500.00
100.0 x 70.0 cm
measure for measure
£3,000.00
60.0 x 100.0 cm
setting sun on resipol
£2,300.00
60.0 x 100.0 cm
origins
£795.00
30.0 x 40.0 cm
clouds over resipole
£695.00
20.0 x 40.0 cm
wee jug
Sold
24.5 x 19.0 cm
a pear
Sold
19.0 x 19.0 cm
an open book
Sold
21.5 x 28.5 cm
setting sun
Sold
20.0 x 25.0 cm
early morning
Sold
20.0 x 40.0 cm
the bow
Sold
90.0 x 60.0 cm
resipole reflections
Sold
15.0 x 30.0 cm
early morning flight
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30.0 x 60.0 cm
morning light on carna
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20.0 x 40.0 cm
morning
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30.0 x 30.0 cm
red trees
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40.0 x 50.0 cm
the sawmill session
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46.0 x 46.0 cm
after the session
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48.0 x 48.0 cm
meeting
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30.0 x 30.0 cm
fermata
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60.0 x 40.0 cm
birdwatching
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20.0 x 30.0 cm
a cryptic one
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30.0 x 40.0 cm
loyal lochaber
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15.0 x 30.0 cm
white
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30.0 x 20.0 cm
evening
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20.0 x 40.0 cm
red and green
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30.0 x 30.0 cm
bookmark
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23.0 x 30.0 cm
sunrise in oranges and blues
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24.0 x 30.0 cm
highland songs of the forty-five
Sold
20.0 x 40.0 cm
red hills II
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15.0 x 30.0 cm
red hills I
Sold
15.0 x 30.0 cm
evening light over to laudale
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30.0 x 60.0 cm
finished for the day
Sold
20.0 x 30.0 cm
three books and a glass
Sold
20.0 x 30.0 cm
air
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70.0 x 70.0 cm
studying
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30.0 x 40.0 cm
last red light
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30.0 x 40.0 cm
your move
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30.0 x 15.0 cm
evening at tioram
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30.0 x 60.0 cm
the dry castle
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30.0 x 60.0 cm
winter sunrise, loch sunart
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20.0 x 30.0 cm
sunshine on carna
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20.0 x 30.0 cm
autumn, river shiel
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15.0 x 30.0 cm
teacup and saucer
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20.0 x 25.0 cm
three books
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20.0 x 30.0 cm
highways and byways
Sold
20.0 x 30.0 cm
dragon cup and book II
Sold
20.0 x 30.0 cm
antiquarian
Sold
30.0 x 40.0 cm
at rest
Sold
50.0 x 40.0 cm
Passing Shadows Over Ardnamurchan
Sold
30.0 x 40.0 cm
Popular Tales
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25.0 x 30.0 cm
Setting Sun Series iv
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30.0 x 60.0 cm
One Book
Sold
20.0 x 30.0 cm
Red
Sold
35.0 x 30.0 cm
Trade and Commerce
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50.0 x 60.0 cm
Two Flowers
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30.0 x 25.0 cm
Welsh Poppy
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30.0 x 25.0 cm
Red Rose
Sold
30.0 x 25.0 cm
Evening Light Over Laudale
Sold
15.0 x 20.0 cm
Loch Mist Over Loch Sunart
Sold
20.0 x 25.0 cm
Setting Sun Series i
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22.0 x 30.0 cm
Setting the Rest
Sold
70.0 x 50.0 cm
Setting Sun Series iii
Sold
15.0 x 30.0 cm
Gone to Bed
Sold
20.0 x 30.0 cm
Torquil's Ford
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80.0 x 120.0 cm
Two Red Roses
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40.0 x 30.0 cm
Autumn Shiel
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27.0 x 14.0 cm
Autumn Evening at Tioram
Sold
28.0 x 43.0 cm
Vase
Sold
25.0 x 20.0 cm
White
Sold
30.0 x 20.0 cm
Orange Evening Light
Sold
30.0 x 30.0 cm
Three Boats
Sold
20.0 x 30.0 cm
reading late
Reserved
28.0 x 35.0 cm
Andrew Sinclair in his studio. portrait by kevin swift
Andrew Sinclair

Andrew Sinclair graduated from Duncan of Jordanstone, Dundee, in 1996 with an honours degree in Painting and Drawing. Painting solely in oils, in the manner of ‘chiaroscuro’ style, he uses strong contrasting tones to recreate the human form. Through his work, he presents a window into real-life scenes, including intimate compositions, larger group pieces, local landscapes and still lifes. ‘Using strong lighting on the subject assists in capturing the form and creating a dynamic solid composition. Through subtle narratives within the painting, an interaction develops between the viewer and the subjects portrayed.’ Andrew’s work exudes a certain spice, most likely picked up from some far-off land; a flavour he has successfully merged with his study of Highland locals. His distinctive palette, juxtaposed with the interplay of shadow and light, conjures a unique and individual style. 

Andrew Sinclair in his studio. portrait by kevin swift
Andrew Sinclair

Andrew Sinclair graduated from Duncan of Jordanstone, Dundee, in 1996 with an honours degree in Painting and Drawing. Painting solely in oils, in the manner of ‘chiaroscuro’ style, he uses strong contrasting tones to recreate the human form. Through his work, he presents a window into real-life scenes, including intimate compositions, larger group pieces, local landscapes and still lifes. ‘Using strong lighting on the subject assists in capturing the form and creating a dynamic solid composition. Through subtle narratives within the painting, an interaction develops between the viewer and the subjects portrayed.’ Andrew’s work exudes a certain spice, most likely picked up from some far-off land; a flavour he has successfully merged with his study of Highland locals. His distinctive palette, juxtaposed with the interplay of shadow and light, conjures a unique and individual style.